Notes on Location

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DSC_8979Nanna Debois Buhl

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Nanna Debois Buhl

DSC_8982Nanna Debois Buhl

DSC_8951Amalie Smith

DSC_8967Amalie Smith, Tove Storch, Tanja Koljonen

DSC_8985Tanja Koljonen

DSC_8948Tove Storch, Anngjerd Rustand

DSC_8957Anngjerd Rustand

DSC_8987Tove Storch, Cia Rinne

DSC_8972Cia Rinne

DSC_8974Cia Rinne

DSC_8988Cia Rinne, Kasper Hesselbjerg

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Notes on Location

Den Frie Udstillingsbygning, København

14. mars–19. april 2015

Med Cia Rinne (SE), Amalie Smith (DK), Anngjerd Rustand (NO), Kasper Hesselbjerg (DK), Tove Storch (DK), Nanna Debois Buhl (DK) og Tanja Koljonen (FI)

Kuratorer: Nanna Stjernholm Jepsen og Signe Kahr Sørensen

Nettpublikasjon: notesonlocation.dk

Mer info: denfrie.dk

(Foto av Eirik Lande & Anngjerd Rustand)

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Departure, absence, flight, emigration

UTOPIA / KREUZBERG PAVILLON 14.03.15

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One’s time, the idea has failed, as if he had been given a box of time, brimful of hours and minutes for usage just like cash.

He could for example carve. He could sculpt chess pieces, play a game against himself.

He could do as old fashioned sea captains – the ship is wrecked from a storm, the captain sits hopelessly lost in the cabin yet fearlessly filling in the logbook.
There were films with these kinds of scenarios.

Or repelled on an deserted island, keeping a diary every single day into the eternal. Equipment lists, weather reports, small duties being done: the sewing in of a button, the eating of a seashell.

A single word surfaces from nowhere: Mesozoic. He can visualise it, hear it, but he can not grasp it. The word has no connotations for him. This often happens: significance dissolves, his treasured glossary spreads evaporate.

She raised her eyebrows over the disparity between her thoughts and her doings– ladling soup – and ever stronger the feeling of being outside the whirlpool; or that somehow a shadow had fallen over it all and that presently, without the colours, seeing everything as it truly was.

Which skeletal nerve pool in the mind did all this come from? Hours in Social Learning at school.

Learning digital double entry bookkeeping, logging into the bank, how to boil eggs in the microwave without exploding them, filling out an application for residence in this or that Module, or for working in this or that Enclave, heredity research on your family, negotiating one’s own marriage and divorce contract, genetically sensible pair matching, correct condom use to prevent sexually transmitted lifeforms. Hours in Social Learning had consisted of this.

The text is written freely after the early 2000s novel Oryx and Crake by Margaret Atwood and the 1900s novel To the Lighthouse by Virginia Woolf.

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OLO AO OooO

Johanne Hestvold sin utstilling, OLO AO OooO,  på Tag Team. Bilder fra åpningen 13.mars. Foto av Arne Bakke og Anne Marthe Dyvi. Mer om utstillingen : http://tag-team.no

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OooO

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UV UV

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OooO (detalj)

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OooO og UV UV

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(sss)(sss)  og ,

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(sss)(sss)

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OooO og UV UV

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Takk for i går!

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+ alle dere andre som kom!

Foto: Anngjerd Rustand

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Øyenskygger – lansering, utstilling, fest!

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Øyenskygger markerer 20-årsjubileet for Kunstnernes Veiplan, en prosess for å endre Bergen kommunes kulturpolitikk etter 1993, og en synliggjøring av det profesjonelle kulturfeltet i Bergen. Bildende Kunstneres Forening Hordaland og Ytter ønsker med markeringen å trekke frem igjen og aktualisere arbeidet som ble gjort for oss, og fremme en samtale om hva som er viktig i kunstfeltet i Bergen i dag.

Lanseringsfesten vil foregå på Ytters atelier i Strandgaten 224, umiddelbart etter årsmøtet til Bildende Kunstneres Forening Hordaland på Hordaland Kunstsenter.

fredag 6. mars 2015, ca. kl. 21.

Øyenskygger er en utstilling av Nina Grieg, en opplesning av Erlend Erichsen, og denne ferske papirpublikasjonen.

Velkommen!

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